Comparing them to one another revealed two things. If all of this makes it sound like V4 is a different synth, that’s not far from the truth, and the changes mean that existing sound banks are no longer compatible with it, so it’s just as well that V3 and V4 can coexist and run simultaneously on the same computer. The CS‑80 V4 looks fresher and more like the original, and it sounds it too. The Global settings also reveal the addition of MPE compatibility, which is very welcome. This contains three new modulation generators plus a modulation mixer three assignable destinations for each of velocity, aftertouch, mod wheel and keyboard tracking plus a three‑slot effects section hosting 16 effects types. But perhaps the biggest differences are revealed when you open the Advanced panel. Omissions include oscillator sync, the channel link button, the 24dB/oct filter option, the LPF on/off and HPF contour on/off switches, and the delay unit on the performance panel. Another major change is the inclusion of a Voice Dispersion panel that allows you to program the amounts by which various characteristics of each voice differ from those of the others. Additions include simultaneous triangle and sawtooth waves, PWM/MIDI sync, the LFO and aftertouch directed to pan, an extended selection of Tone Selectors that more closely model the original synth, plus additional LFO parameters and an improved arpeggiator. In With The Old.ĬS‑80 V4 looks fresher and brighter than its predecessors and includes several changes to the facilities previously offered. Consequently, there’s no way to review all of the Collection in anything short of a book, so I’ll concentrate on its major updates and new synths, starting with four heavily revised instruments. make that 33 instruments if you include Analog Lab V, which provides a simpler way to access the sounds of every instrument and build duo‑timbral mixes of any two of them. But Arturia seem to have an endless appetite for creating soft thingies, and V Collection 9 now includes 32 software instruments, some new, some revised and others as before, plus a library of 14,000 sounds. By 2020, the Collection had reached version 8 and comprised no fewer than 28 instruments including emulations of vintage analogue synths, digital synths and samplers, acoustic and electric pianos, organs, a string synth, and even the Mellotron. Following this, the company didn’t revisit the concept until 2010 when the renamed V Collection 2 was launched, adding the Jup‑8 V and Prophet V to the previous offering. Steer the 303 sound into experimental territory with upgraded features & effects delivering sounds far darker, deeper, and more impactful than the original.Arturia’s mighty V Collection continues to grow and improve.Īrturia’s V Collection was presaged in 2005 when the company took four soft synths - the ARP 2600 V, CS‑80 V, Minimoog V and Modular V - and bundled them together for a limited period into a single purchase called the Vintage Collection Pack. The strobe-lit dance movements of the ‘80s, ‘90s, and early ‘00s share the same analog DNA now it’s yours to manipulate, reinvent, and transform. The magic silver box that defined acid, modeled down to component-level detail, capturing the pure sonic essence of a certified bass classic.Īcid V is all about movement instantly spawn jagged polymetric sequences, hypnotic scale-based patterns, and endless sonic mutations. Give your bass the acidic treatment and set off a sonic chain reaction that’ll heat up your mix to lethal levels. The abrasive, hypnotic sound that gets synapses firing and feet tapping unlike anything else. Pump your mixes full of reactive ever-evolving bass grooves, unleash mutated sequences fizzing with distortion, and experiment with extra features for revitalized rave energy. Acid V v1.0.0 macOS P2P | 22 August 2023 | 530 MBĪcid V channels the cult-classic bass synth that pushed the underground into overdrive.
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